Finale’s Managed Parts & Grace Note Spacing

Q: I’m composing a piece for full orchestra plus large percussion ensemble / steel band). In order to save space, I’m using shared staves for most of the winds (two of each, and usually tutti).

Ordinarily I really like this feature in Finale that allows each player to see their own part, but it isn’t properly spacing the music within each part…specifically the grace notes (of which there are MANY).

Furthermore,  because Note Entry tools are disabled when looking at the part from a shared staff, I can’t simply manually drag the notes left to make the proper space. Have you run into this?

 

A: The Specify Voicing feature in Finale’s Managed Parts is a huge productivity tool in Finale which I use all of the time. Unfortunately, Specify Voicing can’t be used for parts that contain Grace Notes. The issue is that Note Spacing is completely broken for grace notes with Specify Voicing turned on for that staff, rendering an otherwise elegant feature useless for these Linked Parts.

And, as you point out, there is no way to manually edit an individual note’s horizontal location (note spacing) in the part once Specify Voicing is active for the part. Fortunately, for these cases there is an excellent workaround.

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Finale Quick Tip : Align Hairpins and Other Smart Lines

The Contextual Menu for Smart Shapes makes quick work of aligning hairpins, trills and other measure – attached smart lines in your score. For instance, to align trills so their line start and end points match down the score, click and drag-lasso them so their selection boxes are all highlighted, then right – click one of the highlighted selection boxes, and select “Align Vertically” from the Contextual menu.

This tip applies to all measure-attached Smart Lines in Finale, so it can be used with hairpins, trill extensions, ottava lines, bracket lines or custom measure attached smart lines you create.

If you have the full version of TG Tools, be sure to also check out the Align-Move plugin which automates this functionality over a larger selection area.

Finale Quick Tip : Divisi Stems Up, Stems, Down

It used to be that in Finale, if you wanted divisi stems up / down, you had to enter (or re-enter) each part in as a separate Layer in two passes, or resort to multi-step workarounds. No more. It’s a single step with the freely available JW Explode Layers plugin. And merging two Layers into one is also a single step with JW Merge. Visit the above link, and navigate to Downloads for your OS.


Finale Quick Tip : Number Beats for Rhythmic Exercises

If you are a music educator teaching the fundamentals of rhythm, from time to time, you may find the need to count out beat numbers over the notation to help indicate various rhythms for your students.

Sibelius has a useful plugin called “Number Beats” (found in the plugins Text category) which does this automatically, but until recently, I wasn’t aware of a similar  plugin for Finale.

The JW Pattern plugin ( mac | windows ) will do the job nicely in more recent versions of Finale:

  1. Select a region
  2. Choose JW Pattern
  3. Drop-down the Sequences category
  4. Choose the “Numbered Steps” task.
  5. For “Step Method”, choose Beats in measure”

 

JW-Pattern-show-beats

Finally, you can choose one of Finale’s Text Categories from the Category drop down to control the text style and placement of the resulting text.

The JW Pattern plugin is available free of charge on Jari Williamsson’s Finaletips.nu website.

Thanks to my friend and colleague Gary Gibson for contributing this tip.

~robert

Finale Quick Tip : Fix Incorrect Tied-to Pitches w/ Hidden Accidentals

Say you have a B-flat in one bar, tied to another B-flat in the next bar. In Finale, it is possible to (ahem, accidentally) enter the second B-flat as either a B-natural or a B-flat and it will look the same:

fin-destination-tied-note

Even thought there’s no visual indication that it’s wrong, it won’t play back correctly. And in a score with a number of staves, they are a nightmare to aurally locate for proofreading.

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Create Parenthesized or Bracketed Hairpins in Finale

Finale has a lot of flexibility when it comes to creating Custom Smart Shapes. You can create a line shape of any thickness, make it solid, dotted, dashed or even invisible, control its start and end locations and add hooks, arrows or text to either end of the line and / or to the center.

Hairpin crescendo and decrescendo are sometimes bracketed (parenthesized) by publishers to show that they were added later by the editor – e.g. not in the original composer’s manuscript:

fin-parenthesized-hairpins

These types of brackets can also be used for other reasons; for instance to show that the marking is optional or implied.

In Finale, crescendo and decrescendo smart shapes have controls for line thickness and opening width, found in Smart Shapes > Smart Shape Options, but unlike the shapes available in the Smart Line Selection dialog, there is no obvious way to add a parenthesis to the start and end of these defined hairpin Smart Shapes.

So, how would we create this type of Smart Shape in Finale?

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Finale TGTools 2.71 for Windows released

2/22/14 – Plugin Author Tobias Geisen today announced the release of version 2.71 of TGTools full / pro version for Windows.

The update is FREE and is recommended for all versions of Finale from 2010 thru 2014.

Concurrently, TGTools 2.71 for Mac has been released, which fixes the menu on German Finale versions and fixing smart shapes which could not be recognized in 2.70.

Like the Windows version, the Mac version is compatible with versions of Finale from 2010 thru 2014.

As a nice aside, Mac users may also note some cosmetic improvements in version 2.71.

http://www.tgtools.de/downdocs.htm

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